How I Shot That - Bokeh in the Fall

How I Shot That - Bokeh in the Fall

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Lens - Sony 85mm f1.8 FE - https://amzn.to/2Gwzto2
camera - Sony a6000 - https://amzn.to/2H9lplA

Sony has been growing their lens selection to include some impressive glass.  One particular lens is the 85mm f1.8 seems to perform above its class.  That means it is relatively affordable, but at first had some people thinking photos that came from it were like that of a Zeiss build of glass. 

This is what I love about this lens, besides how cheap it was, it wasn't very heavy (for me) to carry around.  And in spite of some of the photos describing how big it was, it didn't feel that big in my hands... it felt just right. 

I rent this lens for a family photo shoot, but I needed to get a feel for the lens.  I went out to one of the parks with access to wild life and a variety of shooting options.  It was fall, with a beautiful collection of fall colors breaking out all over the place. 

Now, I'll let you in on a secret of mine... I have some color blindness.  But it is selective with trouble between some reds and greens.  You will find other incredible photographers out there with color blindness as well (probably most well know is Trey Ratcliff).  So, when I can see how awesome some color combinations are, I'm sure it is going to look amazing.  At least that is what I'm told... lol!

Being an 85mm lens with a 1.8 f-stop available to it, you can achieve an incredibly thin field of focus.  On top of thin focus, you can gain some silky smooth backgrounds.  With a marsh and fall weather, I knew I could get some greens, reds, blues, yellows. 

So this was a plant that lost all of the pedals and just had a ball of its center left.  I was near the water where some sun had peaked out.  That made me in shade, this plant in light, and a mix of light and shade behind it.  This makes use of one of the greatest assets of a mirror less camera, the electronic viewfinder.  It helped me see the effect I was going for all the easier.

That electronic viewfinder also helps because people can't focus this way, and it helped me nail the focus on the ball.  It also helped me realize if I missed my intention, I could go right to the next shot.  No wasting time.

When I first placed this on some of my media pages, people came up to tell me how neat it was.  People also told me about how some colors were amazing (you know, the ones I didn't even know were there)! 

But that is what makes the feedback so amazing.  You not only get confirmation about what you intended to do... but you get to understand the view of other people around you, too.

How I Shot That - Late Afternoon Marsh Bench

How I Shot That - Late Afternoon Marsh Bench

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Lens: Sony 50mm 1.8 OSS - http://amzn.to/2tT6LvK
Camera Sony a6000 - http://amzn.to/2FFH6fF

Golden Hour... 

Besides the fall, spring can give you a magnificent glow.  Morning and evening will give different properties so you want to choose your times wisely.  This article will discuss the ending time of light.  

Usually, shooting into the Sun isn't going to be helpful to your photo.  But, like you will find so often in Photography, rules are more like guidelines. And in this case you can find the exception in this: the shadows are not too much.  

Some of this is because many of the latest sensors like the one in my Sony a6000 have great dynamic range.  That means it can bring out the details between shaded and lit areas very well.  I did need to sacrifice one thing, the sky.  

But what happened to me today?  How did I come up onto this place, it could almost be cropped further for different aspects to give a new outcome.  This spot could be used for different types of portraits, nevermind all of the foliage and wildlife that surely must be near this.

By my nature, I'm a very distractible person.  (I try to keep these posts short because of it.)  But this time when I went out with my camera, I used that distraction.  In fact, I had been shooting what I could of wildlife and random people.  This was part of a path that forces you to turn around and head back as it becomes a dead end.  But photography is almost always a matter of perspective.  And walking a path in multiple directions helps me release my distractions and swim in them at the same time.  

So I was heading back from the dead end, and I realized the sun had produced an extra glow due to all of the pollen in the air.  This location was probably one of the richest in pollen thickness in the air... you could smell everything (if it didn't overpower your nose).

And the glow struck me that the shade never was completely dark.  The glow made me wonder because a portrait would give an air of magic to the subject.  The glow made it possible to break so many 'rules' you could find in photography.  

If I had to come back to one thing, that is to explore... even if you can't travel, explore the same places.  Probably more important when you are new than anything, because it gives you experience.  It gives you ideas for the future.  Explore the same thing at different times of day and of the year.

If that skill was good for Ansel Adams (autobiography, http://amzn.to/2FFC96i), I'm sure it will help me out here and there too.

How I Shot That - Thirsty Robin

How I Shot That - Thirsty Robin

shot with: E. Zuiko 135mm f3.5 - http://amzn.to/2DjNoeZ
Beschoi OM-M43 Adapter - http://amzn.to/2DjMU8F
Camera Olympus OM-D E-M10ii - http://amzn.to/2Fu1wb8

Robins are the bird that herald in the first breath of spring.  This little guy came up on the middle of this park path in front of me.  All I had was my Olympus OM-D E-M10ii with an old film lens of 135 mm lens stuck on it.

I didn't want to scare off the bird.  I backed up slowly a few steps and soon realized I had to get down low. After getting down low, I needed to do two more things on my camera to make sure I was as sharp as I could get.  First, I activated focus peaking.  Doing that gives an outline around everything that is sharp.  Then I used a magnify button to make sure I can see the finer focus points.

The lense I used was an adapted lens.  It wasn't originally designed for my camera.  It was an old Olympus film lens E.Zuiko 135mm f3.5.  The nice thing about it, the lens has a big focus ring on it, and it is so easy to operate when you have any kind of gloves on your hands.

So I got low.  But for a while, I think the bird was trying to figure me out... neither of us moved.  Then the robin moved closer to the water of this puddle.  I just checked my focus one more time and started shooting.  Eventually, many times the bird got down to drink.  This photo was probably the sharpest I got.  But the shot was still cropped in a bit, even with the equivalent full frame focal length of 270mm.  That's what you get when you need to step back a few.

Technical detail of this photo:  f3.5, ISO 200, 1/640 sec.

How I Shot That - Returning the Favor, Guitarist and Drummer

How I Shot That - Returning the Favor, Guitarist and Drummer

Lens is the Sony 50mm f1.8 - http://amzn.to/2F96Kcc
Camera is Sony a6000 - http://amzn.to/2ELLKIr
Venue - http://thebrickhouselacrosse.com/
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This was maybe a year ago, I had gone out to a new bar that opened.  This was The Brick House with a great space for bands to play.  They have a ton of can and LED lights around the band platform.

Returning the favor (FB page here) has a lot of their own music that is a range from folk/blues to rock/pop with a little reggae sprinkled in for flavor (Reverbnation page here). They have a rather big cast of musicians.  So while They were playing it was a little hard to find a shot that looked good with all of them in it.  Either equipment would hide one of them, or another person did that.

Here is the lead guitarist (also does some vocals) with drummer.  Just the two, but it was a feeling the guitarist was portraying with drummer that caught my attention.  The shot is a little dark with highlights around them for a reason that made love the Black and White treatment I used with this.  Part of what I liked in monochrome was that I had fewer distractions.

But there was another challenge, in Color, the lights were such pure red or blue or green (or whatever color) that it seemed to easily overpower my camera's sensor.  But re-introducing it as B&W gave me all of the detail I saw that night.  And I actually love it.  Specially since it seems so sharp and full of detail to me.

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That isn't to say I won't find a color option too!  Such as this one of the drummer with the other guitarist.  This photo also required some treatment in post... but to accentuate some colors but then muting it just a little bit on the drummer, so we can see his face.

But putting that aside, the day I shot these, I couldn't get a decent shot of all of this 5 person band.  Sometimes the reward is gained during a lesson in cutting your losses and in not getting greedy for that 'one' shot.  By moving around and keeping my eyes open I was able to find other wonderful positions.  

How I Shot That - Rivoli Theater Building BW

How I Shot That - Rivoli Theatre Building BW

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Shot with Minolta 70-210 F4 Lens - http://amzn.to/2sNQSGy
Camera is Sony a6000 - http://amzn.to/2ELLKIr

A photographer I admire has said many times, "Clouds are cool!  I won't shot if I can't see clouds."  

While I am not 100% sure that is true for every situation, clouds did make this photo better. 

Besides the obvious clouds in view on this photo, there is something else that the clouds did that day.  Normally during an afternoon walk, I am exercising futility in my photography.  Broad daylight with the sun coming almost directly overhead is actually not a very good thing.  Light coming almost directly down would have made the shadow from that little ledge at the top of the Rivoli building too much.  But Wisconsin if full of weather changes.  Cold, hot, windy, calm rain/sleet/snow (many times all at once) and of course sunny.  

Since there is so much of this changing weather, I keep reminding myself, even if your walk doesn't provide a fruitful set of photos one day, does not mean another day won't provide something awesome.  Just like this awesome September afternoon did.

Now, normally, a straight on photo of a building doesn't do it for me.  But since the wind was blowing this flag around I really wanted to make it part of the photo.  Funny thing, this flag is in a Bank parking lot across the street, it doesn't belong to the theatre at all.  But for many here in La Crosse, WI, we love this theatre just as we love America.  It only has two movie screens, a main one and a 'showing room'.  You can order a pizza, get beer, essentially have a movie type dinner here.  The main theatre even has a section in front that has tables.  When you have a child's movie playing, it is the most family friendly place.  When you are there for fright night type of a showing, it is the most fun.  And when they decide to show an old movie (that they do frequently) you have a great date with the one you love.

So I had to include this flag.  Like the movies, America is full of drama.  Just as much as the sky was showing that day.

On this walk through town, I was trying something different.  Normally, street photography makes you want to have a short lense. Most use a 20mm.  Many times you will see me with the 50mm.  But this day I used what many in the Sony/Minolta world call 'The Beer Can" lens.  We call it that because it is the 70-210 f4 Minolta lens that has no optical stabilization and is just a straight and tall can shape.  Almost the size of large beer kans from back in the day.  

From where I saw this, I had walked through an alley from another block away, letting me see across this parking lot of a bank to have this reveal itself to me.  Obviously, if I was zoomed in all the way, I would have been looking at the sign of the building, and forgetting about everything else.  So this was most of the way out at the 70mm zoom.  And I was using f4.  After making sure my shutter speed was really high at 1/2000 of a second.  This gave me the clouds a pop in shape, froze the flag in motion while giving me enough light on the building.

To show this place some love, visit them at http://www.rivoli.net/

How I shot that - Baby Owls with a Beginners Camera

How I shot that - Baby Owls with a Beginners Camera

I used the Nikon Coolpix p510 http://amzn.to/2GQZXR8
Current version of this camera: Coolpix p900 http://amzn.to/2F132gM



When I was starting out with my photography, I had what people called a Bridge Camera.  There was one lens that had an effective focal length ranging all the way from 24 mm all the way out to 1000mm equivalent of a 35mm sensor.  Just starting out, I didn't know what to photograph.  That meant I was taking pictures of everything. 

Maybe that was a little much for a starting new photographer, but it was fun.  Some of that fun came from living in an area of western Wisconsin that had easy access to some great wildlife and birding areas.  So many times, it is as simple as walking around.  But for this shot, I had to talk to some people before I knew where to look.

Specifically, I was walking in this city park that is a part of a marsh to the La Crosse River that feeds into the Mississippi River. The city park system has taken ownership of a wetlands area that keeps people in appreciation of the Great River wild life, and has made it mostly enjoyable (minus the summer and fall mosquitos). 

That day, I had my camera on shutter priority.  I wanted to control the speed of the shutter and let this thing think about the ISO and aperture.  I was still relatively new back in September 2015.  For fun, I was walking around this park called Myrick Park Marsh.

It just so happened, that the area Audubon Society was meeting at the shelter here.  I popped in for a little bit and realized every one was way more serious than I was.  I just wasn't prepared and I was here for fun.  But walking outside, I realized most people in the park (even though they weren't at the meeting in the shelter) were birders.  I had to talk to some of them and got a couple of ideas for the day.

But then there was the prize, baby owls.  This marsh was a fantastic place for the owls, because no one was able to get in their face or walk up to the tree they were in.  The tree was surrounded by water.  But I just sat there for a good 20 minutes and found them inside this broken trunk of a tree. 

What a reward.

Talk to people, find a spot, sit there.

Using a point and shoot Nikon P510 bridge camera.

I still feel great about that shot.

How I shot that - LAX WI Blue Bridges over the Mississippi

How I shot that - LAX WI Blue Bridges over the Mississippi

Shot with Sony 50mm f/1.8 - http://amzn.to/2FmZ82E
Camera is Sony a6000 - http://amzn.to/2ELLKIr
Similar aluminum Camera Tripod - http://amzn.to/2opfBw3
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La Crosse, WI (#laxwi in my tags) sits on the shores of the Mississippi River running between western Wisconsin and southeast Minnesota.  Between the two states (and in the middle of the river) sits Pettibon Park.  Pettibone Park was an island originally governed by Minnesota but was given to Wisconsin at the start of the 20th century.  

Originally, this island was mostly owned by a sole investor who's idea was to make a magnificent city on the river.  To say the least, that idea didn't pan out.  The river flooded so high and so often, that any structures would have to withstand such high water levels that would never allow for year round living.  But eventually it was realized that open structures open to a surrounding of water from the river would work out nicely as a park.

Given that the island would be part of La Crosse, WI that meant building a bridge over this mighty river wouldn't be a problem as you have one less jurisdiction to worry about (one less state).  

Fast forward almost 100 years, LAXWI is a thriving city with good river traffic sitting between the bluffs of WI and MN.  As it happens, I found that it was almost the time of a 'super moon', but the Upper Midwest has a lot of weather.  So, sometimes weather looks good in the afternoon, but clouds all up at night... and then there is the reverse.  July 19, 2016 was a long day on top of that, as my wife and I were driving all over the area.

But driving home, this park was on the way.  The river had relaxed to an almost normal stage. And not only did I have my a6000, but also my tripod too.  On my camera, I had the 50mm f1.8 lens and I took nearly 28 photos to stitch this together.  I was thinking, everything is farther away, but I didn't want to leave it at 1.8, and so I changed the aperture to 5.6.  I had a 1/45 shutter speed and 1000 iso.  

I came away with the tops of the bridges and the buildings on the other side of the river being a little distorted, but to me that was fine.  The river is larger than life.  Oh, heck, this river IS life to most of the country.  So if you need to make buildings to challenge it, they too need to behave this way.